Showing posts with label Ana Cordeiro Reis. Show all posts
Showing posts with label Ana Cordeiro Reis. Show all posts
Blue Magpie Experimental Film Series, Taiwan 2017
My film 'Why is this happening?' is an Official Selection for this years Blue Magpie Experimental Film Series, Taiwan 2017. Shows September 27th in Hsinchu City...
Shadow Chase
Sometime in the latter half of last year Ana Cordeiro Reis (Hyaena Fierling) had asked me if I was interested in providing her with a half-an-hour of video footage that she could then compose to with a view to it being used in a live performance in the UK. Naturally the chance to work with her was all the motivation needed, and so we began discussions on the what, the where and the how.
I had recently had my work projected publicly for the first time (as opposed to being shown on a flat-screen TV in a gallery setting) and was thinking about the need to tailor the work to the environment in which it was to be shown, so my first questions were about where Ana was planning to perform. Locations in Birmingham and possibly The Gregson Institute in Liverpool were mentioned and I spent some time researching the type of places these were and the type of performances held in them, as well as looking at Ana's other recorded live performances on YouTube and Vimeo.
The spaces were fairly small and intimate (as opposed to stadium type) and the projection would not be on a huge scale. I had to consider peripheral lighting, possible people movement and that Ana would be weaving her magic against a backdrop of my imagery. To produce a narrative or anything too subtle seemed pointless, so the challenge was to make something visually interesting in such a setting over the space of half-an-hour as well as maintaining some continuity and having some alignment, if not meaning, with Ana's aesthetic.
We discussed via Skype a theme. Dreams, journeys, imaginary landscapes, juxtapositions...
Ana sent some footage via WeTransfer of road movies she had taken in Portugal and also some still images from her vast collection. I had also been working on footage from unrelated sources, so it was a matter of trying to find a balance between her suggestions and what I needed to maintain my interest and enthusiasm.
I had never made a video of this length before (10 minutes being the previous max). I also was used to working to a soundtrack, not in silence. I was not comfortable with using still images (seemed like a slide show) so I began merging the road movies with dream like snippets. At this point the combined footage ran for less than 20 minutes. I thought that to have some footage of Ana herself might be a nice touch, so that the audience could see that the film was specifically about her as opposed to some random imagery.
Over a few months life and work get in the way of the best laid plans. Other little projects crop up, ideas get modified, directions change. I was doing long road trips from one end of the state to the other, Ana was in UK one day, Portugal the next. Occasionally snippets would arrive, we continued our Skype discussions and I continued to try to build the film without really knowing what the soundtrack would be. I must admit at this time I was really struggling to maintain continuity, so when some more footage arrived of Ana dancing it became the catalyst to start bringing it all together. I compiled the film out to around 28 minutes and sent a rough cut back. I had called it 'The Dreams of Ana'.
It was only a matter of a few days when a 10 minute soundscape came back with the title of 'shadow chase'. From here on it gave me the direction I needed to start pulling it all together, and so began the tightening up and working out the colour harmonies and 'flow'. Also Ana sent some more footage of her hands and shadows which helped me to resolve issues I was having with the start and end. I got to a point where I thought that this was about as good as it is going to get, so sent off the second draft. She continued with finishing the composition, and so Shadow Chase was born...
The soundtrack will be released as part of an EP, and we will let you know when the live performances are likely to take place.
You can download the film from the Internet Archive here...
Our other collaborations have been:
Why is this happening?
The Illusion of Freedom
I forget you
Ana's website is: akousmata
Hyaena Fierling: TIMELEAP live
Following on from the recent post 'The grass is always greener...' (see below) this video has just been released of Hyaena Fierling presenting her suite TIMELEAP as soundtrack for Artavad
Pelechian's Seasons of the Year. Performance at the Old Mo, Birmingham UK, Oct 2013. Enjoy...
The grass is always greener...perhaps...or is it perception?
Too easy to be tempted by trivia...not so easy to be tempted by purpose...
I posted this on Twitter and Facebook this morning after a few weeks of being busy with travel, interruptions, rejections, proposals and plans. Did I just say Facebook? Yes...I now have a presence so you can follow me on Twitter or like me on Facebook (links in the nav bar above). It is mildly interesting to see the difference between the two...could you possibly call Twitter more intelligent? and even though the belligerent layout and behaviour of FB still annoys the **** out of me, it was a matter of being able to access other's FB pages that drove me to such distractions...hence the opening line of this missive. Perhaps update might be a better word...
So, to recent activity. First sent off 25 minutes of footage (sans sound) to Hyaena Fierling as draft for possible composition and performance in UK. It has been the longest video I have worked on so far and quite a challenge for that reason, and the fact that I was working in silence without a soundtrack in mind is a departure from previous efforts, and trying to create diversity and interest while maintaining some continuity, as well as working with supplied footage!. She has sent back a 10 minute draft of composition, and I like, so on we go. Also have been submitting videos using her soundscapes for various international video festivals and prizes. The Illusion of Freedom didn't make the final cut in the Aesthetica Art Prize (UK) but did make the second round of judging, and Why is this Happening wasn't quite within the curatorial brief of Kyle Chung's Bright Shadow Exhibition (London) but we have agreed to do something together in the future. Also Hyaena has/is playing around with some words/sounds for a possible remix of I forget you. Her website is here...
Hyaena Fierling in performance, Birmingham, UK, 2014
My other major project with Griet Menschaert and Denitsa Dicova (previously mentioned in the posts Across a Troubled World and 3 Points of a Circle) stumbled a little late last year but has now found some renewed vigour and direction. I can't let too much out of the bag yet, but there will be a website coming soon, and we are still hopeful of reaching the point of a performance in the future. Meanwhile these two very talented and hard working artists continue to inspire as they push into new directions at a fast pace. A couple of examples:
SkryfKiev from Griet Menschaert on Vimeo.
ToTheLast_ from Denitsa Dicova on Vimeo.
The blog is still chugging along as you can see. Over 57000 page views (equates to about 50 per day since February 2012). The direction has changed. There is not so much in the way of art reviews and commentary, and the focus now is on quality rather than quantity. I continue with my video experiments, and would dearly love to get into more projections, performance, interventions and installations but lack of equipment and money the eternal inhibitor. Over at the Internet Archive where I publish my videos there have been over 13000 downloads. (Just to explain this numerical diversion it was necessary in the information required by an ArtsNSW grant application!) I am not sure what this all means, but someone is looking at my work, which brings me to the local scene...
I had thought that I was cutting off my nose to spite my face by ignoring the local art world and focusing on the global, and so recently have made a number of forays to make local entities aware of my activities without much success. Whether it be a parochial defense of territory, a lack of interest in contemporary art, or they just think my work is crap is unknown, but the silence at times is deafening. It is curious that I have managed to engage with, and gain the respect of, highly credentialed overseas creators who value my work and yet in my own backyard I may as well not exist...but then at my age existence is always a tenuous proposition ;-)
And now it is time to get back to work...
And now it is time to get back to work...
I forget you
You can download the files from the Internet Archive here...
The soundscape is by Hyaena Fierling from her album super flumina Babylonis, available on Bandcamp here...
You can visit her website here...
The woman is Brigitte Schiller, from Lutz Mommartz's Die Schiller.
With thanks to all those who work in the Creative Commons...
The Illusion of Freedom
Arguably my most ambitious project to date I return to my surrealist roots homaging Joseph Cornell and Luis Bunuel. Eroticism, religion, sex and death interspersed with industrial decay and wastelands combine in a mashup that underpins the futility of decadent desire, religious ecstasy and the conflict with the reality of our mundane lives.
I am (again) indebted (and indeed honoured) to be working with the soundscape Ayesha (She Who Must Be Obeyed) (the muse perhaps?) from the album Rosa de lobo by Hyaena Fierling Reich (aka Ana Cordeiro Reis). Her website can be found here...
The album Rosa de lobo can be downloaded from Bandcamp here...
The video files can be downloaded from the Internet Archive here..