Showing posts with label The Wrong - New Digital Art Biennale. Show all posts
Showing posts with label The Wrong - New Digital Art Biennale. Show all posts

The Last Broadcast


This film was specifically designed to be viewed on a mobile phone. Originally developed for the offline WiFi router project as part of The Wrong Biennale 2019-2020. Feel free to download to your device.

Selected for /’f̈́u:bar/ Glitch͜ A᷈rt Festival 2019.

Who is dadaland collective?


dadaland collective: is a proposal for the next iteration of The Wrong – New Digital Art Biennale to be called The Wrong (nova) scheduled for November/December 2019 and January 2020.

dadaland collective: takes as it's point of departure Hugo Ball's description of Cabaret Voltaire: “Everyone has been seized by an indefinable intoxication. The small cabaret is about to come apart at the seams and is going to be a playground for crazy emotions.”

dadaland collective: is Tim Tsang, Anthony Washburn (aka The Implicit Order), Elle Thorkveld, Milica Raicevic, Sava Zolog (aka Darko Vukic), Gabriela Green Olea, Jose Ramon Alcala, Isaac Liehne and Bob Georgeson.

SPAMM (SuPer Art Modern Museum)


Absolutely stoked out of my tiny little mind to be included in SPAMM (SuPer Art Modern Museum). For me this represents one of the biggest, if not the biggest achievement of my creative journey. As one who has for most of the time sat on the margins and felt like an outsider in the mainstream art world, it's nice to feel like I finally belong somewhere. Check out some incredible art by artists working in the digital field! Enter SPAMM here...

dadaland collective:



dadaland collective:

is a proposal for the next iteration of The Wrong – New Digital Art Biennale to be called The Wrong (nova) scheduled for November/December 2019 and January 2020. The Wrong Board and Council is yet to hand down guidelines and timelines (this is expected late 2018), but from previous nova events organised by The Wrong's founder David Quiles Guilló we might assume that they include this: “An interactive, full-environmental experience inside museums and cultural institutions, utilizing color, light, textures, music and design, in the form of collaborative and integrated art compositions and performances by a selected range of artists from around the world. Each time NOVA happens, it happens in a different shape and form, but always respecting its three key features: to reveal the work in progress, to generate all work in collaboration between the artists participating and to always make it live.”

dadaland collective:

takes as it's point of departure Hugo Ball's description of Cabaret Voltaire: “Everyone has been seized by an indefinable intoxication. The small cabaret is about to come apart at the seams and is going to be a playground for crazy emotions.”

If you would like to be part of dadaland collective: please write to surrealdada@gmail.com

Medication animated GIF


Made from stills from my 100th experimental film Do Not Suddenly Stop Taking Your Medication

we're being invaded



Produced for the exhibition "SPAMM FUTURE ft. Perfect Users" as part of SPAMM (spamm.fr) and the Perfect Users Collective (facebook.com/groups/perfectusers). The theme was: Your Vision About Spam Messages In The Future...

Morana



Morana is an ancient goddess associated with winter's death and rebirth and dreams. A collaboration with Milica Raičević. Her website is here...

Co-Meta Remix Artists Collective Newsletter #13


Pleased to be a featured artist in this publication. You can view it here...

Perfect Users lips...Perfect Users eyes



The Perfect Users are a group of artists on Facebook that came together as part of The Wrong - New Digital Art Biennale 2017/18

Prosthetic Pavilion - video montage



Video by Darko Vukic, curator of the Prosthetic Pavilion, The Wrong - New Digital Art Biennale 2017/18

Subvert the dominant paradigm (and build a better world while you're at it)

Graphic by David Quiles Guillo
 
Today is the last day of The Wrong - New Digital Art Biennale Version 3 and what a buzz it has been! I am absolutely stoked to have been a small part of it, not just because it is the largest art event in world history, not just because it challenges notions of what art is and where it should be seen, not just because it is inclusive where unknowns like myself can rub shoulders with established practitioners and everyone in between, and certainly not because it is a trendy thing to do. It might be tempting to see The Wrong as simply about technology, and sure much of the art either refers to it or uses it as the preferred method of delivery, but there is an underlying humanity that pervades the Pavilions and Embassies where artists have melded science and creativity to comment on the direction of our society and the threats to our freedom of thought and expression. In doing so The Wrong is more about community, and the experience for those not only involved as participants but as audience has enabled people to reach out across a troubled world and feel like they are part of something not only special, but important. The event is also somewhat political. It hovers over the traditional power structures within the art world, not in an attempt to replace them but pointing out in some cases how anachronistic they have become, and to offer an alternative to those people who would otherwise never have had the opportunity to become engaged. The Wrong is not a pointer to the future. It is the art of NOW. To David Quiles Guillo and his crew for setting the whole thing up and Sava Zolog and his for the Prosthetic Pavilion I dips me lid. And, I can't wait for the next one!

Prosthetic Pavilion: The Wrong - New Digital Art Biennale


The Prosthetic Pavilion is a part of The Wrong - New Digital Art Biennale which launched on November 1st 2017 and runs until the end of January 2018. The Wrong is the largest and most comprehensive digital art biennale today. A global event aiming to display digital culture, open to participation, and spreading its content through online and offline locations around the world.

The Wrong’s mission is to create, promote and push positive forward-thinking contemporary digital art to a wider audience worldwide through a biennial event that gathers an extensive selection of digital artworks, while embraces via its exclusive instant radical inclusion trademark technique; the young artists and curators of today’s exciting digital art scene.

The online biennale happens in pavilions; virtual curated spaces in any online accessible media where selected artworks are exhibited. The offline biennale happens in embassies; art spaces, galleries, institutions and artist run spaces in cities around the world which feature temporary projects, featuring live performances, workshops, artist talks and exhibitions. The Wrong is free to participate and to attend, and mostly everything is one click away.

For its third edition there are +80 curators confirmed, more than +1.100 artists are to show their talent, and the attendance is expected to grow up to +12M unique visitors worldwide.

My video The Road Ahead is showing as part of the Prosthetic Pavilion.
You can enter the Pavilion here...
You can find out more about The Wrong here...