Perseus and Andromeda

By way of contrast to the complexity, subtlety and mystery inherent in Olympia, Giorgio Vasari's Perseus and Andromeda (or Story of the origin of coral) is a classic example of Renaissance pseudo-eroticism...

Giorgio Vasari, Perseus and Andromeda, 1550-52, oil on slate, Palazzo Vecchio, Florence

What is going on here? Beheadings, bondage, bathing nymphs, exhibitionism, lesbianism, drownings, sea monsters. Never meant for public view this painting appears a veritable feast or perversions, or is it? Originally designed as a door to a cupboard whose contents would be in some way related to the subject matter (perhaps a collection of coral which was seen as a good luck charm), it is in fact illustrating the myth as told by Ovid in his Metamorphoses. Perseus...

...made a bed
Of leaves and spread the soft weed of the sea
Above, and on it placed Medusa's head.
The fresh seaweed, with living spongy cells, 
Absorbed the Gorgon's power and at its touch
Hardened, its fronds and branches stiff and strange.
The sea-nymphs tried the magic on more weed
And found to their delight it worked the same,
And sowed the changeling seeds back on the waves.
Coral still keeps that nature: in the air
It hardens; what beneath the sea has grown
A swaying plant, above it, turns to stone....
Then to his heart he took Andromeda,
Undowered, she herself his valour's prize.

"It's odd, I always thought I made men uneasy"

The first in a series on masterpieces of erotic art...

Edouard Manet, Olympia, 1863, Oil on canvas, Musee d'Orsay, Paris

The title of this post is a quote from Victorine Meurent, the model for Edouard Manet's Olympia...

She stares at me. I stare back, embarrassed to take my eyes away from hers for fear of being seen as a voyeur. But I cannot ignore the petite, porcelain, perfect figure. The cat is clearly not impressed by my presence. The maid holds flowers. Are they a gift from me? Will they be accepted, or discarded?


She looks at me with detachment and a slight bemusement. Manet has made me confront my own sexuality by inviting me to participate in this picture. This woman is not for sale...I can admire but not touch. Not only a superb exercise in painting (the form in the figure achieved with true economy of tone), but an exercise in moral standards and the role of women in society, just as relevant today as it was in the nineteenth century. This is what makes Olympia erotic, not the fact that it is a nude...I feel uneasy.

For the Victorine Meurent story I recommend Alias Olympia by Eunice Lipton, Thames & Hudson, London, 1992.

Early Twentieth Century Erotica in Spain

Every now and then you come across these little treasures...and pleasures...

A Virtual Wunderkammer: Early Twentieth Century Erotica in Spain is a site put together by Amanda Valenzuela at UCLA to accompany the book Cultures of the Erotic in Spain, 1898-1939 by Maite Zubiaurre. Highly recommended...



Just a little taste to prove that Friday 13th can be your lucky day!