Transitory Encounter

an exploration into generative systems @ The Wrong Biennale 2019/2020

Multiple Personality 2019

Transitory Encounter 1 2019
 
Transitory Encounter 2 2019

Transitory Encounter 3 2019

Transitory Encounter 4 2019

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Transitory Encounter 6 2019

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Transitory Encounter 9 2019

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Transitory Encounter 11 2019

Transitory Encounter 12 2019

Transitory Encounter 13 2019

New Directions 2019

Taking as it's point of departure the phrase "as beautiful as the chance encounter of a sewing machine and an umbrella on an operating table" (from Les Chants de Maldoror by the Comte de Lautréamont), Transitory Encounter explores various generative art processes to question 'what is reality and what is illusion'? Or, perhaps that should be 'what was reality'?

The process begins with selection of 'human' faces generated from the website This Person Does Not Exist. Built on a Generative Adversarial Network (GAN) the site creates fully automated human image synthesis by endlessly generating images that look like facial portraits of human faces. My selection is largely influenced by colour preferences across the whole image.

The 'faces' are then subjected to random transformations using Decim8 (We destroy in order to create), a glitch app developed for both iOS and Android devices by Kris Collins. Different filters at different strengths are randomly generated before output. No two images are ever the same. Approximately 1 in 30 images might be saved for further use.

In a world where 'fake news', face recognition software, constant CCTV surveillance, augmented and virtual reality, deepfake deceptions, identity theft and image manipulation can blur our notion of what is ultimately 'real', net.art in the form of generative processing can also question the creative act. What ultimately matters is the end image. There is an obvious aesthetic judgement in what eventually gets exhibited, but what interests me is that the images differ from what I 'normally' would create by conscious construction. One's training in, and knowledge of the elements of design and principles of composition can at times constrict the creative process. New pathways to new territories evolve.

Information overload can blur the senses but at what point are humans still able to identify the image of a human face? How much 'decimation' has to occur before it becomes unrecognisable? Portraiture in art has always looked beyond simple identity. In conceptual art the idea of self is paramount (“I think, therefore I am (an artist)” to paraphrase Rene Descartes). In Transitory Encounters the notion of 'selfies' becomes 'otheries'. Chance encounters with generative systems leads to a new reality. The self no longer exists...

Reverberation 2019

Threshold Triptych 2019

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the wrong
 

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